| From | Sent On | Attachments |
|---|---|---|
| Kevin McCoy | Feb 7, 2007 11:11 am | |
| David Powers | Feb 7, 2007 1:08 pm | |
| Ben Saylor | Feb 7, 2007 1:13 pm | |
| Florian Kuehnle | Feb 7, 2007 1:32 pm | |
| Malte Steiner | Feb 7, 2007 2:03 pm | |
| Charles Henry | Feb 7, 2007 3:38 pm | |
| Peter Plessas | Feb 7, 2007 4:18 pm | |
| Chuckk Hubbard | Feb 7, 2007 9:37 pm | |
| padawan12 | Feb 8, 2007 4:06 am | |
| Kevin McCoy | Feb 8, 2007 12:13 pm | |
| Frank Barknecht | Feb 8, 2007 12:54 pm | |
| Hans-Christoph Steiner | Feb 13, 2007 7:30 am | |
| Kevin McCoy | Feb 13, 2007 7:39 am | |
| Malte Steiner | Feb 13, 2007 8:40 am | |
| Derek Holzer | Feb 13, 2007 9:03 am | |
| Frank Barknecht | Feb 13, 2007 9:09 am | |
| Charles Henry | Feb 13, 2007 9:19 am | .pd, .c, .c |
| Kyle Klipowicz | Feb 13, 2007 9:19 am | |
| Malte Steiner | Feb 13, 2007 9:21 am | |
| Kyle Klipowicz | Feb 13, 2007 9:34 am | |
| Georg Holzmann | Feb 13, 2007 9:41 am |
| Subject: | Re: [PD] [OT] gallery installation sound | |
|---|---|---|
| From: | David Powers (cybo...@gmail.com) | |
| Date: | Feb 7, 2007 1:08:36 pm | |
| List: | at.iem.pd-list | |
On 2/7/07, Kevin McCoy <km.t...@gmail.com> wrote: there are many sound scientists and artists on the list so I thought
I would ask if anyone knows of resources to look at for dealing with these kinds of issues? How are other artists sorting these things out? Any links or recommendations would be very helpful. Low ends tend to get very muddy and the highs and mids spill all over the place. Are there certain tricks I could use in mixing or placement/kinds of speakers to preserve the highs and mids better in a difficult space? This might be a difficult question since you can't hear the piece in person, but even general advice would be very helpful.
I'm no sound scientist, but wouldn't just some ordinary foam of the type people put in their music studios help? It sounds like you are having trouble with unwanted and weird reverberations, which the foam should lesson. Having performed music in such spaces (concrete and metal), I've got a pretty good idea of the kind of acoustic nightmare you are probably facing...
~David






.pd, .c, .c